Because you may vary which Nikon lens you are using, the following does not contain full instructions on every Nikon lens operation. But the following list provides general information on working with standard AF-P and AF-S Nikon lenses. You should explore the lens manual for specifics, of course, but keep reading for general tips on using a lens with your Nikon D3500.
You can determine the current focal length of the lens by looking at the number that’s aligned with the white dot that’s labeled focal-length indicator above.
To go back to autofocusing, revisit the Focus mode setting and choose one of the AF (autofocus) options. How many AF settings are available depend on your exposure mode and whether you’re working in Live View mode or using the viewfinder to frame your images. The default settings are AF-A (Autofocus Auto) for viewfinder photography and AF-S (single-servo autofocus) for Live View and movie photography.
Even though you set the basic focus method via the switch, you control the behavior of the autofocusing system via the Focus mode option described in the preceding paragraph.
AF-P lenses also offer the option of autofocusing with manual override. But instead of moving a lens switch to activate or disable the feature, you use the Setup menu option. By default, this option (Manual Focus Ring in AF Mode) is enabled, so you can tweak focus manually after autofocusing. The only potential problem with the feature is that you can accidentally move the focusing ring, changing the focus point without realizing that you did so. It’s up to you to decide which setting you prefer. If the menu option is dimmed, your Nikon’s lens doesn’t support this feature.
On an AF-S lens, turn Vibration Reduction on or off by using the VR switch, found near the focusing-method switch. The available VR settings vary depending on the lens, so see the lens manual for details. (Some lenses for Nikons offer one setting for normal shooting and one for situations in which you anticipate lots of camera movement, such as when photographing from a speed boat.)
With an AF-P lens, turning Vibration Reduction on and off is a menu-based affair. Enable the feature via the last page of the Shooting menu, as shown on the left below. After you do so, you see a shaking hand symbol in the Information screen and Live View displays. Look for the symbol on the left side of the Live View display.
Vibration Reduction is initiated when you depress the shutter button halfway. If you pay close attention, the image in the viewfinder may appear to be a little blurry immediately after you take the picture. That’s a normal result of the Vibration Reduction operation on some lenses and doesn’t indicate a problem.
Always switch lenses in a clean environment to reduce the risk of getting dust, dirt, and other contaminants inside the camera or lens. Changing lenses on a sandy beach, for example, isn’t a good idea. For added safety, point the camera body slightly down when performing this maneuver; doing so helps prevent any flotsam in the air from being drawn into the camera by gravity.
The angle of view that a lens can capture is determined by its focal length, or in the case of a zoom lens, the range of focal lengths it offers. Focal length is measured in millimeters.
According to photography tradition, a focal length of 50mm is described as a “normal” lens because it works well for the type of snapshots that users of those kinds of cameras are likely to shoot. A lens with a focal length under 35mm is characterized as a wide-angle lens because at that focal length, the camera has a wide-angle view, making it good for landscape photography. A short focal length also has the effect of making objects seem smaller and farther away. At the other end of the spectrum, a lens with a focal length longer than 80mm is considered a telephoto lens and is often referred to as a long lens. With a long lens, the angle of view narrows and faraway subjects appear closer and larger, which is ideal for wildlife and sports photographers.
Note, however, that the focal lengths stated here are 35mm equivalent focal lengths. Here’s the deal: For reasons that aren’t important, when you put a standard lens on most digital cameras, including the D3500, the available frame area is reduced, as if you took a picture on a camera that uses 35mm film negatives and cropped it.
This crop factor varies depending on the camera, which is why the photo industry adopted the 35mm-equivalent measuring stick as a standard. With the D3500, the crop factor is roughly 1.5x. Here, the red line indicates the image area that results from the 1.5 crop factor.
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When shopping for a lens, it’s important to Remember this crop factor to make sure that you get the focal length designed for the type of pictures you want to take. Just multiply the lens focal length by 1.5 to determine the actual angle of view. Not sure which focal length to choose? Nikon offers a Lens Simulator tool that shows exactly how different focal length lenses capture the same scene. (If the link doesn’t take you to the simulator, just enter the term Nikon Lens Simulator in your browser’s search engine. Nikon has a way of moving things around on its websites.