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The Vienna Imperial virtual grand piano is a class of its own. The venerable Bösendorfer Imperial 290-755 that our team hosted at the Silent Stage for two months was equipped with the famed piano manufacturer’s CEUS technology (details below), which allowed for the most precise and by far most extensive piano sample recordings ever conducted in the history of music technology. 1,200 recorded samples per key represent a magnitude of sampling detail that has been unthinkable up to now.
The innovative implementation of meticulously recorded pedal-up and pedal-down notes in up to 100 velocities, comprehensive sympathetic resonances, and multiple release samples make the Vienna Imperial the most realistic sampled piano you’ve ever heard.
Get the guaranteed best price on Reverb & Delay Software like the Vienna Instruments Vienna Software Package Software Download at Musician's Friend. Get a low price and free shipping on thousands of. Download the Library Download File (under VI Library Downloads and/or Synchron Library Downloads) and open it by double-clicking the '.vsldownload' file. This will start the Vienna Download Manager and the download will start automatically. Once the download is finished, the installation process will start right away. Synchron Library.
No less importantly, the Vienna Imperial is so easy to use. The Basic View of the user interface lets you choose between three recording positions (close, player, and audience). The Advanced View gives you quick and easy access to more control options such as convolution reverb, EQ, pedal noises, sympathetic resonances, stereo width, MIDI sensitivity and more. But don’t get fooled by the slick interface – under the hood is a new proprietary piano engine that has been specifically designed to drive this massive amount of sample data and processing power. And when all is said and done, all that matters is how it sounds. Dare we say, the “Passion of the Grand” has never been more real.
With the support of the venerable and renowned Viennese piano manufacturer Bösendorfer we have developed our first sampled grand piano software instrument, a true recreation of a Bösendorfer 290 Imperial that was tuned and regulated by the piano manufacturer’s best engineers and piano technicians. Bösendorfer Imperial makes full use of the Vienna Instruments sample player engine and performance algorithms including automatic repetition performances. Its massive 54 GB sample set includes unlooped sustain samples in pedal up and pedal down variations and in 7 velocity layers, tone repetitions, real recorded sustain pedal resonances, multiple release samples, and key noises.
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The Bösendorfer 290 Imperial is the only concert grand in the world to have nine additional sub-bass notes, extending the instrument’s key range downward to the low C – for a total range of eight octaves. The extended key range not only provides richness and depth to the entire instrument, it also allows for the performance of works that have been originally scored with these lower notes, by composers such as Bartók, Debussy, Ravel and Busoni.
For heightened realism, the sound of the piano in its resonating state – with the sustain (damper) pedal depressed – has been captured. This results in the physically correct recreation of the piano’s resonant character in both pedal-down and pedal-up positions. With the Bösendorfer Imperial there are no sample manipulations, no fades between tones, and no DSP calculations, just an absolutely natural acoustic image of the actual processes that occur while playing the instrument. Our team has developed a recording technique that adds to each single note the exact sound that is created when the pianist presses the piano’s sustain pedal, allowing other strings to vibrate. Thus the virtual instrument acts just like the piano itself, creating the characteristic pedal tone sound which now for the first time is available in the shape of samples.
Another innovation is the Repetition Performances. These samples take into account the sound created when a vibrating string is struck again. Within the Vienna Instruments Pcv or the auto tune. player, repeated notes of the same pitch are actually played repetitions, meaning that a new sample is heard with every keystroke.
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Apart from the acoustic perspective of the pianist, the user is also provided with concert hall audience perspective, for proper imaging on the orchestral stage. Each of the two listening positions incorporates 4,675 samples.
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The Bösendorfer Imperial collection was released in 2006. If you’re looking for an even more authentic virtual piano with a considerably higher number of samples, please check out our Vienna Imperial.